"Zinzi has a talent for finding lost things. To save herself, she has to find the hardest thing of all - the truth. Zinzi has a Sloth on her back, a dirty 419 scam habit and a talent for finding lost things. But when a client turns up dead and the cops confiscate her last paycheck, she's forced to take on her least favourite kind of job - missing persons. Being hired by famously reclusive music producer Odi Huron to find a teenybop pop star should be her ticket out of Zoo City, the festering slum where the criminal underclass, marked by their animals, live in the shadow of the undertow. Instead, it catapults Zinzi deeper into the underbelly of a city twisted by crime and magic, where she'll be forced to confront the dark secrets of former lives - including her own. Set in a wildly re-imagined Johannesburg, it …
"Zinzi has a talent for finding lost things. To save herself, she has to find the hardest thing of all - the truth. Zinzi has a Sloth on her back, a dirty 419 scam habit and a talent for finding lost things. But when a client turns up dead and the cops confiscate her last paycheck, she's forced to take on her least favourite kind of job - missing persons. Being hired by famously reclusive music producer Odi Huron to find a teenybop pop star should be her ticket out of Zoo City, the festering slum where the criminal underclass, marked by their animals, live in the shadow of the undertow. Instead, it catapults Zinzi deeper into the underbelly of a city twisted by crime and magic, where she'll be forced to confront the dark secrets of former lives - including her own. Set in a wildly re-imagined Johannesburg, it swirls refugees, crime, the music industry, African magic and the nature of sin together into a heady brew"--Bookseller's website.
Wildly imaginative SF novel set in Johannesburg at a time when people who've committed crimes are mysteriously saddled with an animal, which sets them apart as a class (the animalled have to live in their own ghetto and have trouble scraping together a living outside proper society). Our heroine is a kind of detective because she has a strange talent for finding lost things - and intuiting what things people have lost. It's weird and brilliant and utterly original.
Zoo City amazes me. So many threads - fantasy, popular culture, contemporary varieties of exploitation - all braided into one satisfying story. And a hard-boiled hero who hasn't finished deciding who she is and what she's going to do about it.
Excellent book, a fascinating concept and a fast paced read with lots of action. I got it as part of the Humble Book Bundle and it's worth every penny and more! I hope Beukes writes more in this style!
I really, really liked the South African style and the matter of fact way that things were said. But less than half way through, I just found myself bored. There was no real hook that caught my attention and I decided my time would be better spent elsewhere.
Zinzi December carries a sloth on her back. He is a mark of what she has done wrong. In an alternate Johannesburg, the animalled, or “zoos”, live as outcasts, surviving as best they can in inner city slums. With Zinzi's animal she got a gift, the ability to find lost things. She doesn't find lost people until one day she breaks her own rule and gets drawn into the shady underbelly of the local music scene.
Zoo City is a hard one to categorise, it's fantasy with a science fiction mindset and a noir plot. Fantasy never really tries to explain the whys behind supernatural creatures and at least here, in Zinzi's world, there have been attempts from scientists to work out what's going on. Some of this is explained through faux extracts, articles and even a section that looks suspiciously like an Amazon product page complete with a range …
Zinzi December carries a sloth on her back. He is a mark of what she has done wrong. In an alternate Johannesburg, the animalled, or “zoos”, live as outcasts, surviving as best they can in inner city slums. With Zinzi's animal she got a gift, the ability to find lost things. She doesn't find lost people until one day she breaks her own rule and gets drawn into the shady underbelly of the local music scene.
Zoo City is a hard one to categorise, it's fantasy with a science fiction mindset and a noir plot. Fantasy never really tries to explain the whys behind supernatural creatures and at least here, in Zinzi's world, there have been attempts from scientists to work out what's going on. Some of this is explained through faux extracts, articles and even a section that looks suspiciously like an Amazon product page complete with a range of customer reviews.
The mashavi, or magic, is based on a Zimbabwe myth of wandering spirits, the mashave, however it becomes a sign of guilt for the zoos. They can be singled out easily, persecuted beyond their original crimes and given no second chance to make their life good. This echoes the perceptions people have of ex-cons in our world.
Africa is a continent with many social problems and Zoo City cleverly manages to weave them into one story without treading on any toes. That's the joy of speculative fiction, it can handle controversial and terrifying subject matters from an angle that makes an enjoyable read but also gives you pause for thought.
On a lighter note, I loved Sloth. Don't be mistaken in thinking these are talking animals. They are pretty normal except for being linked to their humans and they communicate in normal animal ways. Yet Sloth is a fully formed character, at times being Zinzi's conscience, even if it is self preservation behind it. I kinda want a sloth myself!
